#edited together and posted to vimeo

[theladyvalkyrieskyeart]

Mignon is a lovely and independently made queer Korean anime that can be found in the link below. First three episodes are free, but the rest is $1 USD each and all together will take an hour of your time to watch, but maaaaaan is it worth it.

The premise is a young man who's a boxer in an underground fight ring who falls for the rings doctor but discovers the doctor is a vampire.

The animation is great, the soundtrack is very heavy 80's synth vibes which I love (and you can find on spotify)

TW: abuse, blood, violence, and one graphic sex scene.

Link to watch here: https://vimeo.com/ondemand/mignon

Here's the trailer. Again, its worth your time

UPDATE 8/29/23: I'm seeing the original post gain traction so I'm gonna make an edited update to the original post

due to some issues with the creator's former production company, ABJ had to take Mignon down from Vimeo on Demand so sadly unless you know someone who has purchased the episodes and can give you their Vimeo login info or you just happen to stumble on a pirated version you cannot watch this anymore until the legal shit gets sorted out 😔

I posted about it here

[yourartmatters-itswhatgotmehere]

Shadow And Bone-the greatest show.

this incredible edit from:

what to do/think now post:

"There's no end to our story"/ "Crows remember human faces. They remember the people who feed them, who are kind to them, and the people who wrong them too. They don't forget. They tell each other who to look after and who to watch out for."/ "I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting." / "Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose."

let's keep fighting! (what could have been/what's in SOC script below:)

+

[soffij]

daydreaming

"You and me, we could go back home together..."

(edit: here's the vimeo link and the YT link to the full video edit, and here's the link to its post)

[shpadoinkle-day]

hi again!! its 1st time cannibal the musical watcher again- i might start signing my asks or somethin cus i keep wanting to talk but like you're always sharing such obscure random stuff.. DO YOU HAVE A FAVORITE THING YOU'VE DISCOVERED OR FOUND?? specific quote of an interview or a particular photo you've found ???

hiii anon lovely to see you back! feel free to tag yourself if you prefer that way, but either way you're much appreciated 🥰

I have so much stuff I found (I'd say it more like... was lucky to run into while researching 😵‍💫) that I love, but to name a few...

"My lovely wife Matt Stone" aka Trey's BOM speech from Feb 25 2013 at the first west end preview. How I found this: So, sometimes when I'm bored I'll pick a random mattrey blog that's been active for a long time, open an old post from their archive, see if there's old inactive mattrey blogs in the notes, and look through their archive to see if there's any posts I could make resurface that had stopped circulating, right? The funny thing is I'll go on reblog sprees, so I actually hadn't listened to the audio when I reblogged it. I was only informed of what it said when I saw others freak out about it.

Daily Show with Craig Kilborn. Why it's my fav? Well, aside from being adorable and iconic, it landed my youtube channel in the lost media wiki! How I found it is actually quite easy, when you look up fansites on the web archive you can do specific search for the files the web archive has saved from it. Turns out sometimes quicktime files work! Four parts were in canniballovers and one in dtisfu if I remember correctly, I just edited them together and posted it. Still wish someone could find it in better quality though. 😔

I'm gonna list a bunch of pictures now... because there's many. 😭 But my absolute N1 is probably the Halloween Robert Smith Trey picture. How I found it is simple, just looking up random words on facebook. Probably "trey parker", nothing special. This and this from the Ron Jeremy website on the web archive, though I think maybe the second one had already been circulating I'm not exactly sure. Showgirl Halloween Trey. The kiss pictures. Pink haired Trey!! This NATPE (?) picture. These older Trey pics where he's serving absolute cunt. This Lapdance/Sundance (?) pic. And these too. This reverse cap one altho this was from twitter I don't think I was the first to come across it tbh. These three from the "A Million Laughs" fb page... Bowl hat... Trey with the blue umbrella full pic... tho I wouldn't say I "found it" only that I got to it first the day it was posted... Trey in the matching christmas pajama from 2018... I'm gonna stop but my heart is pretty big and I like all pics...

These measly 7 secs of SDCC footage only because of the first mattrey pic included because that pose from Trey is everythinggg.

This oscars clip because Trey does such a graceful hair flip 😭

Le Petit Package pics though all I did was waltz into the lost media thread and see they had been posted...

The forbidden mattrey slides which we may never see... these were all from worthpoint, which is just a website that archives past ebay bids.

Annual Diversity Awards for the Trey serve ofc.

And finally, I'm very partial to "Matt's a cock".

As to how I come across anything... it's lots of free time. Like I'm talking hours daily just picking a random lead and following it. It may be a website you think hasn't been thoroughly searched (I've tried fb, ig, twitter, worthpoint, ebay, wordpress, tripod, weebly, various fansites on webarchive, footage.net, bilibili/baidu, vimeo, dailymotion, flickr, a load of sketchy other websites I don't remember anymore... basically trey parker has brought me to places I wouldn't go with a gun...) a combination of words, a new search engine that may give u different results (I've tried the ones listed in the lost media wiki guide, my favorite is startpage). Using targeted searching like "word" or site:x "word" or "word combo" before:year, basically trying to make google your bitch. I also use gettyimages like a visual wiki of events Trey's been to+the date, it's quite useful... ik you didn't ask the "how" part but aaaa I like talking about it 😭 I have a lot of fun. Even though sometimes I just come up empty handed even after hours of research. More often than not tbh. Also I'm an obsessed weirdo who checks the words "trey parker" daily on twitter, tumblr, ig, fb, yt, web archive and ebay. 🫠

And also the concept of finding is weird because it has happened to me that I thought I had found something and then it actually had been circulating already, so I tried really hard to answer you by only listing stuff I was fairly sure hadn't been circulating before I got to it, but I mean... it doesn't really matter! I'm here to serve, I just like sharing whatever stuff I run into, it'll happen that it's new to me but it really isn't. 😵‍💫 I try...

I like this too also but I didn't find it, it was pretty available already fjdkg you know Jack Shih was at that dodgeball event?

Favorite funfact that I haven't had a chance to share yet, so now you know!

[mergingonthefreeway]

Greenpeace - Don't Stop from Samona Olanipekun on Vimeo.

This is no ordinary cover: Don’t Stop is a contemporary fable about being young in the world today. The song is a call to action for people worried about their future and the state of the planet, and a rallying cry for those who dream of a better tomorrow. Together we can stand up to the fossil fuel industry. Add your name now: act.gp/3qIN8o6

Production Company: Lammas Park @lammas_park_productions

Director - Samona Olanipekun @samona_o Exec Producers - Steve McQueen, Bona Orakwue @bonaclara7, Anna Smith Tenser @smithspanna Producer - George Telfer @gtelfs

Production Manager - Chanel Parkinson @chanellyonthetelly PA - Hannah Lockwood @hanlockwood Cast Coordinator - Beth Rubery @beth.rubery Production Runner - Tom Gimlette @tomgimlette

Researcher - Shireen Bahmanizad @shireen_bahmanizad Researcher - Conall O’Brien @conallobrien Bidding Producer - Nat Baring @natanatics Lammas Park Head of Operations - Nicholas Horne Lammas Park Production Assistant - Umashni Puvanendran

1st AD - Gabriel O’Donohue @_gabriel.odonohue_

Movement Director - Liara Barussi @liarabarussi Casting Director - Coralie Rose @coralie_blamo_rose

DOP - Annika Summerson @annisummerson Steadicam / Camera Op - Jonathan Tyler @jonotyler Focus Puller A Cam - Kate Mollins @kate__mo_ Focus Puller B Cam - Sam Ebrahim Riley @samrileyac Clapper / Loader - Sonia Rogriguez Camera Trainee - Lucas Murray Reynolds Grip - Warwick Drucker

Video Playback - Robbie Ross @rsvp.london DIT - Ben Grady @colour.grady Sound Recordist - Anthony Leung @anthonyleungsound

Gaffer - Salvador Lopez-Gomez @glofilmlighting Best Boy - Jamie Hitchens @jamiehitchens Desk Op - Noah Furrer Electricians - Charlie Lodge, Lee Madigan, Nathan Rubins Rigger - Steve Daly @steve_daly

Production Designer - Jade Adeyemi @adeyumyum Prop Buyer - Martha Howe @martha.howe, Matty Mancy @matty.mancey Led Art Assistant - Lea Otovic @leaotovic Art Dept Assistant - Isabelle Bryan, Nana-yaw Mensah @nyk_mensah, Lucia Barsegian @luciabarsegian, Daisy Alexander, Fenella Evans @fen.art_, Sofia Karavis @sofiakara

Construction by Cous De La @cousdela

SFX Supervisor - Neil Gawthrop SFX Technicians - Miguel Ferreira, Jonathan Long SFX by Machine Shop @machineshopsfx

Costume Designer - Verity May Lane @veritymaylane Costume Assistants - Amy Thompson @a_thompson, Johanna Yohannes, Ellie Rimmer @ellie_r1

Make Up Designer - Maya Man @mayamanartist Make Up Assistants - Chelsea Murphy @sculptedbychelsea, Nic Marilyn @nicmarilyn Hair Designer - Kreszend Sackey @kreszendsackey Hair Assistant - Viviane Melo @vivianemelomua

Medic - Verity Stacy

Editor - Jack Williams @__jackwilliams_ Edit House - The Assembly Rooms @the_assembly_rooms Edit Producer - Phoebe Armstrong-Beaver Sound Designer - Jack Sedgwick @snappajack Audio Post - King Lear @kinglearlondon Audio Producer - Suzy McGregor Colourist - George Kyriacou @georgekcolourist Post - Black Kite Studios @blackkitestudios VFX - Mark Stannard Colour Producer - Holly Tidwell @holly_tidwell, Jade Denne @jadedenne

Camera - Panavision @panavisionofficial Lighting - Panalux @panaluxworld Studio - Dukes Island Studios Insurance - Dan Woods at Media Insurance Brokers Accountancy - Robert Okonski & Emmanuel Lindsay at Clay GBP

Casting Assistants - Laura Meredith Additional Casting - Lauren Patterson @ Jukebox Collective Agency

CAST:

Speech Givers: Kyle Osbourne Lili Chin

Tomorrow’s Warriors: Kyle Osborne, Emily Tran, Cassius Cobbson, Shanise, David, Tami Lisa Smith

Waiters & Kitchen Staff Cameron Berryman, Izaebella Cresci, Christopher Mbaki, Jinessa Meggi, Ebony Aboagye, Oliver Manley, Kade Turner, Geddy Stringer

Party Guests: Graham Collier, Anja Kick, Philippa Casares, Noreen Goodwin, Benji Ming, Catherine Cornwall, Huma Mohyuddin, Ellie Madden, Albert Graver, Rainier Manzano, Ruby Gascoyne, Sharifa Butterfly, Haseeb ‘Chilly’ Hearn, Duran Abdullah, Mikael Rivieri, Patrick Gabco, Ellie Harlulow, Rogerio Ghesti, Katerina Bragin, Michael Ahfong, Kesiena Banye, Beverly Connel, Jeanette Maskell, Peter Wilkinson

and Featuring: Will Poulter, Fraser T Smith and Avelino

MUSIC

Written by: Christine McVie / Universal Music Publishing Group Produced by: Fraser T Smith / 70Hz Original Rap verses: Avelino Music Supervision and Consultancy: Ed Bailie and Seb Whyte / Leland Music Music Marketing: Olivia Hobbs and Clare Wright / Blackstar Agency Performed by: Future Utopia X Avelino X Tomorrow's Warriors With thanks to: House Gospel Choir, Benjamin Kwasi Burrell, Janine Irons, Fish Krish, Gabriel Starkey, Patricia Pascal

AGENCY

Creative Agency: Mother London Creative Director: James Sellick @jamessellickauthor Creative: Scott Anderson @scottanders44 Title Design: Ben McNaughton Head of Production: Anna Murray @annasedgwick Producers: Tommy Frankau @tommyfrankau, Nic Akinnibosun, Joseph Ogunmokun Epilogue: Written by Scroobius Pip in collaboration with Greenpeace, performed by Lilli Chin Special Featured Performance: Will Poulter

[briannas-casebook]

ANIMATION 102: Animation Tests

As part of my work for Animation 102, I completed my four outstanding animation test exercises over the course of three days. Using my free time during the Easter holidays to rent a space in the university campus's stop-motion animation studio and a stop-motion armature to complete the animations. I also utilized the stop-motion program DragonFrame for the animation process.

The first animation I started was the animation for lifting a heavy object. Using some footage, I had been able to have filmed by a colleague at the uni of myself lifting a box as a reference for the character's performance. I chose a discarded Post-it note in the other room as the heavy object. One difficulty with this was when the character had to lift the paper, as the hands of my armature didn't have fingers to grab the sides of the paper. I borrowed some white tac from the receptionist and used it to stick the paper to the armature's hands.

The next day, I worked on the animation for the light lift. I thought, in a similar vein to using the paper as the heavy object in the light lift animation, I'd use a heavy-looking object as a light one to subvert expectation in a comical way. Although I couldn't find a weight or any other heavy-looking object on the campus for me to use, I was able to construct a convincing-looking weight using the spare magnets used for keeping the metal armatures feet in place.

Another problem I ran into was the armature not being able to lift the weight in the air properly and hold a pose with it, which made these portions of the animation frustrating. Eventually, I realized the problem was the joints were too loose to hold a pose with the weight. So I used the joint adjuster tools that came with the armature to tighten the joints of the figure.

The next day, I filmed the live-action reference, this time pulling a wheely bin outside my home and pushing a wall for reference in the final two animations, I'd be animating. For the pulling animation, I used some wooden blocks held together with white tac as a stand-in for the bin, using a tiny bit of white tac to keep the hands on the blocks.

For the push animation, I decided to not use a prop and instead have the shape of a wall be implied through the armature's performance, similar to a classic mime routine.

During the filming of the pull sequence, I realized at some point, the camera had zoomed in randomly in between frames. I figured this must've been because, at some point when I was walking between taking the pictures and checking the computer monitor with the sequence playing, I might've grazed against the camera shaft, making the camera zoom in slightly. It was too late for me to fix the camera and redo the frames. next time I will try to be more aware of my surroundings, especially around the camera.

Finally, after I saved my animations onto a USB to bring home, I uploaded the tests to my Vimeo page and edited together a showreel using Adobe Premiere Pro. Of which I also uploaded to Vimeo.

Overall, I'm very satisfied with the work I produced from this part of the Animation 101/102 course. I feel my skills with stop motion, particularly with the software DragonFrame, have greatly improved. It's been really interesting working through practical issues and problem-solving to achieve my desired shots. I hope to create and produce more work with the program and other industry-standard stop-motion software in the future.

[myramglina]

Magic Island - Tomorrow X Together (TXT) from DIGIPEDI on Vimeo.

Client : BigHit Ent. Production : DIGIPEDI Director : Wonmo Seong Executive Producer : Moonyoung Lee Assistant Director : Hyesu Lee Assistant Producer : Yena Yu P.A : Minjeong Heo, Joohun Kim, Gibong Yoon, Bomjun Lee, Gyubeom Mo

Director of Photography : Euikwan Kim @ACS Gaffer : Doosu Choi @Hong’s Lighting Art Director : Jinsil Park, Bona Kim @MU:E FX : Changi Min Phantom Operator : Sangrin Choi Techno Crane : Service Vision Korea Jimmy Jib : Yungu Ji

Post Production : DIGIPEDI

Edit : Wonmo Seong, Hyesu Lee Digital Intermediate : Seokho Moon 2D : Seokho Moon, Hyesu Lee Section Illustrator : Heukmi Ending Compositor : Dohan Kim

VFX Studio : VIXEN

Supervisor : Younsoo Kim 2D Artist : Sejun Park Hyoenhae Lee, Hyeri Jang, Byeonggyun Kwon, Seunghyun Lee 3D Modeling : Bongman Jo Jeongryun Lee, Jaewoong Han Matchmove : Sangjun Lee, Segwang Jang FX : Kwanghee Lee, Jeaseoung Kim, Geunho Park Post Producer : Younhee Kim General : Kyongho Park, Hyoungjun Cho, Hyosun Jung, Hyewon Oh, Yeojae Shin, Donghyeon Kim

Music Composed and Arranged by Myungsoo Shin Sound Design & Mix at KRAFT MUSIC

[dallassauer]

Toyota Tacoma - 30 from Dallas Sauer on Vimeo.

A beautiful passion project with beautiful people, can’t ask for much more than that.

Incredibly grateful to my good friends @tamarack__ for the opportunity to create something together that represents badass females, our favorite truck and an ode to the nature tucked away in the mountains of our hometown.

A big thank you to my new found collaborative friendship with the talented and extremely hard working @jonthomas_ and the telepathic wizardry experienced with @blakedavey shooting this campaign in just under 3 days - grateful for your skills, trust and perseverance.

Starring: @rozakalashnikoff , @sarahlmacleod

Agency: @tamarack__ Executive Producers: @chasrrr @rickashay24 Director: Myself. Cinematography: @jonthomas_ 1st AC: @blakedavey Assitant Director: @tomwilson__ Production Design: @itskikicreative Wardrobe/MUA: @aszjeca PA & Catering: @__savfox Aerials: @tamarack__ VO: @momikki Editing: @na_yo_ @chasrrr Post Sound: @ayodouson Color: @camthecolorist Storyboard Artist: @elsaelenii.art

Special thanks to @panavisionofficial , @escurostudios , @dstoddart , @chloe_jh1 and the local community for all the production support.

[emzeciorrr]

National Geographic – Ident Series from Erwin van den IJssel on Vimeo.

Scale a glacier, walk on Mars, travel to ancient Rome and then bust a drug ring, in this series of idents for National Geographic. What a great project from beginning to end – starting with an exciting open brief, developing the concept together with a committed client, and finally working with the entire team at The Panics on bringing the series to life.

Each ident is based on a different theme in NatGeo’s rich programming and tells a story by showing two landscapes side by side. By finding contrast and connections between these worlds that are years – sometimes lightyears – apart, each ident aims to explore what it means to go FURTHER.

Client: The Walt Disney Company LTD Director: Erwin van den IJssel Production Company: The Panics Post Production: Post Panic

Executive Producer: Inge Zoete Junior Producer: Asya Bendikova Production Assistant: Zeo Rotondo Mancini

Head of Post Production: Ivor Goldberg Post Producer: Andrey Golubyev Editing: Erwin van den IJssel Music and Music Supervision: Bertus Pelser @ Amp.Amsterdam Grading: Captcha

VFX Supervisor: Guido Ekker CG Supervisor: Jef Fleurkens VFX Artists: Chris Staves, Matthijs Joor, Honza Topinka, Charleton Mercelina, Vincent Boudewijn, Janneke van der Wel, Owen Buckley, Ianky Iankov Motion Design: Doma Harkai

[lucaskang]

National Geographic – Ident Series from Erwin van den IJssel on Vimeo.

Scale a glacier, walk on Mars, travel to ancient Rome and then bust a drug ring, in this series of idents for National Geographic. What a great project from beginning to end – starting with an exciting open brief, developing the concept together with a committed client, and finally working with the entire team at The Panics on bringing the series to life.

Each ident is based on a different theme in NatGeo’s rich programming and tells a story by showing two landscapes side by side. By finding contrast and connections between these worlds that are years – sometimes lightyears – apart, each ident aims to explore what it means to go FURTHER.

Client: The Walt Disney Company LTD Director: Erwin van den IJssel Production Company: The Panics Post Production: Post Panic

Executive Producer: Inge Zoete Junior Producer: Asya Bendikova Production Assistant: Zeo Rotondo Mancini

Head of Post Production: Ivor Goldberg Post Producer: Andrey Golubyev Editing: Erwin van den IJssel Music and Music Supervision: Bertus Pelser @ Amp.Amsterdam Grading: Captcha

VFX Supervisor: Guido Ekker CG Supervisor: Jef Fleurkens VFX Artists: Chris Staves, Matthijs Joor, Honza Topinka, Charleton Mercelina, Vincent Boudewijn, Janneke van der Wel, Owen Buckley, Ianky Iankov Motion Design: Doma Harkai

[adsofads]

Lights, Camera, Content: Unleashing the Power of Video Marketing Agency

In the dynamic realm of digital content, video has emerged as the undisputed king, captivating audiences across the globe. As we navigate through an era dominated by screens, the demand for high-quality video content has never been more significant. In this blog post, we'll delve into the multifaceted world of video production, exploring its power and providing insights to help you harness its full potential with the expertise of a dedicated video marketing agency.

The Art of Visual Storytelling

At the heart of video production lies the art of visual storytelling. Whether you're creating promotional content, educational videos, or cinematic masterpieces, storytelling is the thread that weaves everything together. A compelling narrative engages viewers, making them more likely to connect with and remember your message.

Planning for Success

Successful video production starts with meticulous planning. Define your objectives, identify your target audience, and craft a clear message. Establishing a storyboard can serve as a roadmap, ensuring that every scene contributes to the overall narrative. Thoughtful pre-production sets the stage for a smoother production process.

Lights: Setting the Stage

The importance of lighting in video production cannot be overstated. It is the cornerstone of creating mood, atmosphere, and visual appeal. Whether you're working with natural light or sophisticated studio setups, understanding how to manipulate light can transform an ordinary scene into a cinematic masterpiece.

Camera: Capturing the Moment

The camera is the storyteller's tool, and knowing how to use it effectively is crucial. Explore different camera angles, framing techniques, and focal lengths to add depth and visual interest to your videos. Invest time in learning about your equipment, from basic camcorders to advanced cinema cameras, to maximize their potential.

Action: Bringing Ideas to Life

Video production is a collaborative process that involves a cast and crew working together to bring ideas to life. Effective communication and teamwork are paramount. From directors and producers to cinematographers and editors, each role plays a crucial part in the creative journey.

Editing Magic

Post-production is where the magic happens. Skilled editing can transform raw footage into a polished and engaging final product. Experiment with pacing, transitions, and special effects to enhance your storytelling. Consider the use of sound effects and music to evoke emotions and create a memorable viewing experience.

Distribution and Engagement

Once your video is crafted to perfection, it's time to share it with the world. Utilize various platforms such as YouTube, Vimeo, and social media to reach your target audience. Encourage audience engagement through comments, likes, and shares, creating a community around your content.

Evolving Trends in Video Production

The landscape of video production is ever-evolving. Stay abreast of current trends, such as virtual and augmented reality, interactive videos, and 360-degree content. Embrace innovation to keep your content fresh and engaging in an increasingly competitive digital landscape.

Tools of the Trade

Explore the diverse array of tools available for video production, from editing software like Adobe Premiere Pro and Final Cut Pro to motion graphics applications like After Effects. Stay informed about the latest advancements in technology that can elevate the quality of your productions.

Conclusion: Empowering Your Creative Vision

In the age of digital dominance, video production stands as a powerful medium for creative expression and communication. By understanding the nuances of visual storytelling, mastering the technical aspects of production, and staying attuned to industry trends, you can unleash the full potential of video content. Lights, camera, content – it's not just a mantra; it's a journey into the boundless possibilities of storytelling through the lens.

For businesses seeking to amplify their online presence, partnering with a professional video marketing agency can provide the expertise needed to navigate the competitive landscape. These agencies specialize in creating compelling video content that resonates with target audiences, making them an invaluable ally in your digital marketing strategy.

[richardcassidy]

Between Earth & Sky from Andrew Nadkarni on Vimeo.

Renowned ecologist Nalini Nadkarni studies "what grows back” after a disturbance in the rainforest canopy. After surviving a life-threatening fall from a tree, she must turn her research question onto herself to explore the effects of disturbance and recovery throughout her own life.

betweenearthandsky.com _____

a film by ANDREW NADKARNI   featuring NALINI NADKARNI   produced by SWETHA REGUNATHAN KATIE SCHILLER   executive producers CAITLIN MAE BURKE SU KIM   edited by PETER ZACHWIEJA   directors of photography JOE VAN EECKHOUT DEREK KNOWLES   original score SARI MELLAFE   associate producers MEGAN MASSEY DEVIN TUSA PETER ZACHWIEJA _____

additional cinematography KATELYN REBELO ANDREW HINTON   assistant editors JORDAN TULLIS REBECCA SCHWARTZ   additional footage provided by MERETE MUELLER   additionally featured KEYLOR MUÑOZ ELIZONDO INDIRA KULKARNI AMY McDERMOTT   business affairs DEVIN TUSA   clearance consultant ADAM LAWRENCE   graphic design MEGAN ROJEK _____   produced in association with AMERICAN DOCUMENTARY | POV Shorts   executive producers for American Documentary | POV Shorts OPAL H. BENNETT ERIKA DILDAY CHRIS WHITE   produced in association with IF/THEN SHORTS | FIELD OF VISION   consulting producer | IF/Then Shorts MERRILL STERRITT   coordinator | IF/Then Shorts CHRISTINE CHUNG _____   post production services CUTTERS STUDIOS   president & managing director | cutters studios CRAIG DUNCAN   managing director & executive producer | cutters CAITLIN GRADY   additional editing | cutters REBECCA SCHWARTZ   senior producer | cutters JAYSON RAMOS   executive producer | post-production ELIZABETH KRAJEWSKI _____   managing director | another country TIM KONN   executive producer | another country LOUISE RIDER   sound designer & mixer | another country JORDAN STALLING   associate sound designer & mixer | another country LOGAN VINES

producer | another country JOSH HUNICUTT _____   managing director | flavor NEAL COHEN   executive producer | flavor KATE SMITH   flame artist | flavor MOISES TAVERA   resource manager | flavor JULIE KLOS _____   color ASSEMBLY   supervising colorist MARÍA CARRETERO   colorist JOSÉ FONT   producer | assembly VERONICA WEBB _____   co-produced by IT DOESN'T SUCK PRODUCTIONS   impact support provided by THE REDFORD CENTER JILL TIDMAN HEATHER FIPPS ARATHI GOVIND CAIT FITZWATER NICO CADENA   production support provided by BRIC TV KUYE H. YOUNGBLOOD CHARLIE HOXIE SRIYANKA RAY   additional production funding provided by MOUNTAINFILM _____   special thanks to the family JACK LONGINO AUGUST LONGINO NATALIE VANDEVEN RIKKI NADKARNI LONGINO   special thanks to the family BOB DEUTSCH ELLEN DEUTSCH PAULA DEUTSCH THELMA DEUTSCH AMAL FALLAH SUSHA FALLAH SAROJ GHOTING MOHAN NADKARNI VINAY NADKARNI   special thanks EMILY BEST ELLA CHRISTIANSEN MARK DUPLASS DOUG FABRIZIO JESSICA FITZMORRIS DAISY FRIEDMAN PAUL GABRIELSEN JO GENNETT LORENA LOURENÇO RANDY MacLOWRY KHAULA MALIK CRISTY MEINERS KELSIE MOORE SKYLAR NIELSEN MALIKKAH ROLLINS ZEV ROSE BROOKE ROSS SUSAN SCHILLER KIRA SIMON-KENNEDY REENA SHAH KATRIN SPIRIDONOVA TRACY HEATHER STRAIN _____   location & access support MONTEVERDE CLOUD FOREST BIOLOGICAL PRESERVE MONTEVERDE INSTITUTE OLYMPIC NATIONAL PARK OREGON STATE UNIVERSITY - COLLEGE OF FORESTRY STARKER CAPSTONE WORKSHOP THE MOBILE MOON CO-OP UNIVERSITY OF UTAH _____   archival materials   "Climbing a Tree" produced by Elaine Clark & Doug Fabrizio cinematography by Nathan C. Balli provided by RadioWest   "Nalini Nadkarni | Tapestry Thinking: Weaving Together the Unexpected" provided by TEDxSaltLakeCity   "Not My Job: We Quiz Tree Canopy Expert Nalini Nadkarni On Canapés" Wait Wait… Don’t Tell Me! provided by NPR   "Fallen: A Transdisciplinary Tale of Disturbance and Recovery" provided by Society of Critical Care Medicine   "Rain Forest: Heroes of the High Frontier" provided by National Geographic   "The Second Voyage of the Mimi" provided by Bank Street College of Education   "Between Earth and Sky: Our Intimate Connections to Trees" provided by University of California Press _____   The filmmaking team would like to acknowledge that this documentary was filmed on the unceded territory of the Quinault, Rama, Eastern Shoshone, Chepenefa Peoples, who have stewarded this land throughout the generations.

We thank them for their strength and resilience in protecting this land, and aspire to uphold our responsibilities according to their example. _____

If you were affected by sexual violence, you are not alone.

NATIONAL SEXUAL ASSAULT HOTLINE 800.656.HOPE online.rainn.org 

The National Sexual Assault Hotline is operated by RAINN, the nation’s largest anti-sexual violence organization. _____   "Between Earth & Sky" won the 2021 IF/Then x The Redford Center Nature Access Pitch at DOC NYC 2021.

This film was produced by By the Creek Productions, which is solely responsible for its content.   © 2023 By the Creek Productions LLC All Rights Reserved ___

betweenearthandsky.com/resources

[manojrajannair]

Manoj Rajan Nair | Showreel | Filmmaker from Manoj Rajan Nair on Vimeo.

After dedicating about 12 incredible years to the world of filmmaking, I'm excited to announce my transition to the realm of freelance filmmaking. With an extensive background in the industry, I am now poised to bring my wealth of experience, creativity, and vision to a broader range of projects.

About Me:

As a passionate filmmaker, I've honed my skills in direction, concept generation, and writing for films, primarily catering to the needs of advertising agencies. This new chapter in my career allows me to work independently, providing tailor-made services to agencies and clients seeking innovative storytelling and visual excellence.

What I Offer:

Direction: Guiding the creative process from concept to execution is where I shine. I love working closely with teams to ensure our projects achieve their intended impact and vision.

Concept Generation: My experience in generating fresh, attention-grabbing concepts forms the cornerstone of my work. I'm eager to help clients breathe life into their ideas and turn them into captivating visual stories.

Creative Writing: Whether it's scripting, dialogue, or copywriting, I excel in crafting compelling narratives that resonate with audiences, ensuring that the story complements the visuals.

Video Editing: My keen eye for detail and commitment to perfection make me a reliable partner for meticulous post-production work. I specialize in refining content to meet the highest industry standards.

What's Next: I'm excited to explore new opportunities, connect with fellow professionals in the advertising industry, and embark on fresh and exciting projects. As a freelance filmmaker, I'm committed to helping clients tell their unique stories and achieve their branding goals through my multifaceted services.

Let's connect, collaborate, and embark on a creative journey together. I'm eager to discuss how we can work together to bring your brand's narrative to life.

[warrendigital]

Video Production: A Step-by-Step Guide

Video Production is the method of making a video, from conception to completion. It can be a complex and time-consuming prepare, but it can too be very rewarding. In case you're inquisitive about creating your claim recordings, here may be a step-by-step direct to induce you begun:

Arrange your video. What do you need your video to be approximately? What message do you want to communicate? Who is your target group of onlookers? Once you have got a great understanding of what you need to attain along with your video, you'll begin arranging the rest of the generation prepare.

Compose a script. A script will assist you to remain on track amid shooting and guarantee that your video streams easily. It doesn't have to be be a formal script, but it ought to incorporate a list of scenes, dialogue, and any other vital data.

Assemble your hardware. The sort of hardware you wish will depend on the sort of video you're making. For case, in the event that you're making a straightforward talking head video, you might as it were require a camera and a amplifier. Be that as it may, on the off chance that you're making a more complex video, such as a narrative or a music video, you will have to be lease or buy extra equipment, such as lights, tripods, and extraordinary impacts.

Discover a area. In case your video requires any particular areas, such as an open air setting or a studio, you'll need to discover and book those locations in advance.

Cast and crew. On the off chance that you're making a more complex video, you'll got to enlist on-screen characters, team individuals, or other professionals to assist you with the production.

Film your video. This is where all of your planning and arrangement will come together. Be beyond any doubt to take your time and get the shots you wish.

Alter your video. Once you've finished shooting, you'll require to alter your video. This can be where you'll include music, sound impacts, and titles. You'll too require to trim the video or include moves between scenes.

Disperse your video. Once your video is altered, you'll disperse it online or on DVD. You can too yield it to film festivals or other video contests.

Video generation can be a parcel of work, but it's too a parcel of fun. In case you're imaginative and have a enthusiasm for narrating, video generation can be a extraordinary way to specific yourself and share your thoughts with the world.

Here are some extra tips for video generation:

Utilize high-quality gear. The quality of your video will be straightforwardly influenced by the quality of your gear. In case you'll be able afford it, invest in high-quality cameras, focal points, and amplifiers.

Get good lighting. Lighting is essential for making a professional-looking video. In the event that you're not sure how to set up your lights, contract a professional lighting technician.

Utilize sound effects and music. Sound effects and music can include profundity and feeling to your video. Be sure to utilize high-quality sound effects and music that are fitting for your video's substance.

Edit your video carefully. The altering handle is where you'll bring your video together and make it see and sound its best. Take your time and alter your video until you're happy with it.

Convey your video broadly. Once your video is altered, you got to get it out there so people can see it. There are numerous ways to disperse your video, such as posting it on YouTube, Vimeo, or your site. You'll be able too yield it to film celebrations or other video challenges. 

[matthewshaffer]

Q&A post premiere "Nostalgia Radio Hour Presents: Growing Pangs" from Matthew Shaffer on Vimeo.

Nostalgia Radio Hour Presents: Growing Pangs

A One Act Play Written & Directed by Matthew Shaffer

Starring: Angela Beyer as Shiree A. M. Sannazzaro as Matthew Jason Pereira as The Station Manager; ensemble

KRLN Original Theme Music by Bruce Martin

Media Transitions choreographed, filmed, and edited by Matthew Shaffer. Performed by Angela Beyer, A. M. Sannazzaro, Shiree Shaffer, and Matthew Shaffer.

Description: KRLN’s Nostalgia Radio Hour Presents: Growing Pangs. A story of love, drama, and death. An upfront account of two siblings who proved that no amount of blood bouts stood between them and bonding over the BS they endured from friends, family, and foes. Brought to you by our sponsors: Guilt, Shame, Sibling Rivalry, and Ovaltine. Ovaltine, that drink you know––from that contemporary Christmas movie––set in the past. As always, our tale begins in front of a live studio audience. Author’s Note This play was born from my thesis exploring sibling relationships and the impact they have on shaping identity. Midway through my graduate school experience, my sister Shiree Shaffer died due to complications of COVID-19. Her daughter, Kellyn, has generously donated a sticker from Shiree’s personal sticker collection for you to enjoy tonight. I’d like to thank my mom and dad for raising and encouraging two independent, opinionated children; and for your continued love and support as we navigate our unexpected detour together. My family and friends who continue to inspire, love, and encourage me, I appreciate you. To my Wilson College MFA cohorts, professors, and my mentor Bari Newport, I am forever grateful for your thought-provoking questions, pep talks, insight, and love. HUGE thanks to Tracie Stanfield for her lifelong friendship and for securing Bruce Martin; Bruce I’m so grateful for your creative contributions––I know how lucky I am. Finally, to Frédérique Michel, Charles A. Duncombe, and City Garage Theatre for their generosity and guidance. 

My sister was one of the first people to question my sexuality, and that moment bonded us in a secret that has entirely shaped my artmaking process, validates my desire to continue questioning how commercial artists can share LGBTQ+ stories, and encourages me to further investigate how American culture manages grief. Shiree, your spirit lives on in your beautiful daughter, Kellyn. Your story lives on in every artmaking opportunity I receive from here forward.

[wastexyrself]

Trouble-Free Methods For ShortsAI - The Options

The Ultimate Self-help Guide To Developing Vision-Finding Video clips With ShortsAI

ShortsAI is really a potent AI-operated video development platform that allows someone to create professional-high quality video tutorials easily and quickly. Regardless if you are a online marketer, articles creator, or small business operator, ShortsAI can assist you produce stimulating and compelling video tutorials that record your audience's drive and attention effects. With ShortsAI, it is possible to bid farewell to the monotonous and time-ingesting procedure of standard video clip creation and hello to easy, high-good quality video development that saves you time and money.

ShortsAI gives a range of effective capabilities which make online video creation quick and easy. Its AI-operated multimedia research function enables you to find higher-good qualityimages and videos, and music clips quickly and easily, while its easy to customize layouts and simple-to-use enhancing tools allow you to produce videos which can be tailored to the brand and message. Regardless if you are making video clips for social networking, item demos, or advertising and storytelling, ShortsAI provides the tools you need to generate great-good quality video clips that stand out.

Some great benefits of employing ShortsAI for movie creation are lots of. Using its intuitive program and effective functions, ShortsAI lets you generate video tutorials that participate your audience and drive outcomes in just minutes. You don't need any video enhancing expertise to use ShortsAI, rendering it offered to anyone who wants to create great-top quality video tutorials easily and quickly. Plus, ShortsAI's social media submitting feature makes it simple to discuss your video clips together with your target audience and acquire far more engagement and views.

Highlights of ShortsAI

ShortsAI is an AI-powered video creation system that provides an array of functions to help you create stimulating, skilled-high quality videos within minutes. Several of its important capabilities include:

AI-driven press research: ShortsAI's press look for characteristic uses AI that will help you get the bestimages and videos, and audio clips for the video. It is possible to key in a keyword or key phrase, and ShortsAI will advise appropriate media from its library of millions of substantial-quality assets.

Personalized templates: ShortsAI offers many different customizable templates intended for different industries and use circumstances. You can select a template that fits your message and brand, or you can create your own custom template using ShortsAI's editing tools.

Easy-to-use editing equipment: If you have no experience with video editing, ShortsAI's editing tools are designed to be easy to use, even. You may adapt your video's colors, text and fonts and much more, and you could include animations, transitions, and consequences to help make your video clip be noticeable.

Social media posting: ShortsAI allows you to distribute your online video right to social websites systems likeFacebook and Instagram, and Vimeo, so that it is easy to reveal your video lessons with your audience.

Multi-words support: ShortsAI facilitates a number of spoken languages, letting you create video lessons in several different languages to attain a bigger audience.

Utilizing ShortsAI?

Developing a online video with ShortsAI is easy and quick. Here's a step-by-phase self-help guide to making use of ShortsAI to make a movie:

Choose your online video format: Start with selecting the online video file format you would like to produce, like sq, vertical, or scenery.

Choose your template: View ShortsAI's catalogue of custom templates and judge one who fits your message and brand.

Include your multimedia: Publish your very ownimages and videos, and mp3 clips, or use ShortsAI's media research characteristic to find the ideal media for the video clip.

Individualize your video: Use ShortsAI's editing tools to personalize your video clip. It is possible to change text, colors and fonts and more, and you may put animated graphics, transitions, and effects to produce your online video stick out.

Review and export your video: After you're content with your movie, review it and make any last changes. Then, export it within the formatting you favor and publish it on social websites or download it in your device.

Use circumstances for ShortsAI

ShortsAI can be used various use circumstances, such as:

Social media: Use ShortsAI to create eyesight-getting video clips that grab viewers' consideration on social media marketing websites like Instagram and Facebook.

Video advertisements: ShortsAI is good for making video clip advertising that drive sales and conversions.

Product demos: Use ShortsAI to make video lessons that highlight your product or service and make clear their features and benefits.

Tutorial video clips: Make tutorial video clips that teach your market utilizing your services or products.

Marketing and branding and storytelling: Use ShortsAI to generate videos that inform your brand's tale and take part your target audience.

Comparison with other video clip design equipment

Whilst there are lots of video clip design instruments on the market, ShortsAI stands apart due to its AI-driven multimedia lookup, custom web templates, and easy-to-use editing and enhancing instruments. ShortsAI's AI-driven press research makes it simple to locate high-high quality multimedia rapidly, although its themes and modifying resources help it become simple to produce videos that appear to be specialist and engaging. In addition, its social media marketing submitting feature makes it easy to share with you your videos along with your audience.

Conclusion

ShortsAI is the perfect tool for you if you're looking for an easy and effective way to create professional-quality videos that stand out. Featuring its highly effective capabilities and instinctive interface, you can create video clips that resonate with the viewers and drive results. So, why wait? Subscribe to ShortsAI these days and begin producing video clips which get noticed!

http://youtube.com/watch?feature=youtube_gdata&v=EEjNW43-59k